The master player of the 20th Century, Yoshinori Fumon
About Ranjo (Thomas Charles Marshall)
Contact information for Ranjo (Thomas Charles Marshall)
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THOMAS CHARLES MARSHALL

Ranjo (Thomas Charles Marshall)

Thomas Charles Marshall is from Portlaoise, Ireland.

He studied classical music from childhood at the Royal Irish Academy of Music and the Schola Cantorum at St. Finian's College, Mullingar, Co. Westmeath learning piano, flute and later pipe organ.

From 1991 to 1994, he was organ scholar at Emmanuel College, Cambridge University, and read the music tripos.

His first contact with the Satsumabiwa was in 1994 when he met the biwa master Yoshinori Fumon while working for a year in Japan. He decided to remain in Japan and studied with Fumon until the Fumon's death at the age of 92 in 2003. Marshall has performed biwa both within Japan and abroad.

In September 2008. Marshall returned to Ireland to continue pipe organ studies. He is doing a Masters in Music Performance at the Royal Irish Academy with David Adams. His dissertation is focused on the biwa and he is currently researching the development of the satsuma biwa notational system at the turn of the last century.

He is Director of Music at St. Ann's Church, Dawson Street, Dublin.

THE SATSUMABIWA

The satsumabiwa is a one of a number of Japanese lutes that fall under the title "biwa". Other lutes are the gakubiwa, used in the imperial court orchestra, the heikebiwa, played by blind buddhist priests known as biwa hoshi of which the most famous must be the fictional biwa hoshi in Lafcadio Hearn's "Kwaidan" Miminashi Hoichi.
The satsumabiwa was the musical instrument of choice for the samurai of the Satsuma domain, roughly present-day Kagoshima Prefecture and the southern part of Miyazaki Prefecture. It's primary purpose was to serve as a tool to refine and enhance oneself and ones own inner spirit both aesthetically and morally.
It has four silk strings, four frets and is played with a large boxwood plectrum which also serves as a weapon.
It is mainly played in an interlude-like fashion while reciting song texts.

Yoshinori Fumon's Satsumabiwa

NEWS

Daily Yomiuri "Cultural Inroads" Article
Youtube video of performance in Takasaki in 2009